https://www.studioelachi.com.au/blog daily 0.75 2025-05-05 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1592977681433-I29ET5UNR1CXLMQ6ZMRO/fabrizio-conti-tvAA6X0NSOE-unsplash.jpg Journal https://www.studioelachi.com.au/blog/2025/2/7/whats-in-a-name-zjfe2 monthly 0.5 2025-11-17 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/8e211427-9e45-4600-b433-fe258b0a940b/solomons-temple-jerusalem-5061.jpg Journal - What's in a Name? - Make it stand out An artist's impression of what Solomon's temple at Jerusalem may have looked like. Built by Phoenician architects it is described in I Kings Ch. 6-7 of the Bible and was typical of temples of the region at that time in the 10th century BC https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/38bc5db5-60e9-4a7e-ab0f-09d3becb9ebd/king-david-on-his-palace-balcony-looking-south.jpeg Journal - What's in a Name? - Make it stand out City of david: King David looking over jerusalem from his palace https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/61a6e47b-aef1-4321-a2e3-8f41671ef0ca/phoenician_port_in_beirut_mina_el_hosn.jpeg Journal - What's in a Name? - Make it stand out An ancient Phoenician port has recently been discovered in Mina El Hosn area of Beirut, in a plot (#1893) located behind the Hotel Monroe. The area of approximately 7500 square meters is owned by Venus, a real estate firm that plans to erect 3 large skyscrapers on the terrain. https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/c2c60b31-12d1-4651-97c3-a49abd869b1a/lebanon-ehden.jpeg Journal - What's in a Name? - Make it stand out The Mountains and mythical cedar forests of ehden during the winter https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/72ddeb01-fca7-4c54-9a76-645eadb5fb62/JAG_iStock-clearing+cedars+for+soomons+temple.jpg Journal - What's in a Name? - Make it stand out Clearing cedars for Solomon’s temple by Gustave Doré https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/f17277dd-245c-4d84-b3c8-53aad0dd8b12/proto+aeolic+capital.jpeg Journal - What's in a Name? - Make it stand out Proto-Aeolic capital discovered in the City of David The Israel Museum, Jerusalem, by Amalyah Oren https://www.studioelachi.com.au/blog/2023/6/13/beauty-and-the-philistine-beast monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/ed146d4f-a584-4cf5-8224-a16dd76f00a4/Botticelli-primavera+wikipedia.jpeg Journal - Beauty And The Philistine Beast - Make it stand out This painting, usually known as the Primavera [or ‘Spring’] shows nine figures from classic mythology advancing over a flowery lawn in a grove of orange and laurel trees. In the foreground, to the right, Zephyrus embraces a nymph named Chloris before taking her; she is then portrayed after her transformation into Flora, the spring goddess. The centre of the painting is dominated by the goddess of love and beauty, Venus, chastely dressed and set slightly back from the others, and by a blindfolded Cupid, firing his arrow of love. On the left, the three Graces, minor goddesses with virtues like those of Venus, are shown dancing in a circle. The composition is closed by Mercury, messenger of the Gods, recognisable from his helmet and winged sandals, as he touches a cloud with his staff. Although the complex meaning of the composition remains a mystery, the painting is a celebration of love, peace, and prosperity. The dark colour of the vegetation is in part due to the ageing process of the original pigment, but is lightened by the abundance of fruits and flowers. At least 138 species of different plants have been identified, all accurately portrayed by Botticelli, perhaps using herbaria. The attention to detail confirms the artist’s commitment to this piece, which is also evident in the sheer skill with which the paint has been applied. https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/fef72cd7-7757-4015-b0f8-524206dc5ddf/P1020879_Paris_VI_Rue_de_Rennes_rwk.JPG Journal - Beauty And The Philistine Beast - Make it stand out The Tour Montparnasse from the Rue de Rennes A real life example of how the beauty of paris wrestles with this new additional philistine beast. the large proportions and monolithic appearance of montparnasse tower imposes itself on the harmonic and well-proportioned streetscape of the edges of paris. A 2008 poll of editors on Virtualtourist voted the building the second-ugliest building in the world, behind Boston City Hall in the United States.[29] https://www.studioelachi.com.au/blog/2022/12/2/i62wgitj2ew8z4ye02djqva0390ghv monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/b9ea7dae-abe9-41d9-aa92-bc32e89175d4/iam_os-X3HXoaUyi6I-unsplash.jpg Journal - Why Heritage Buildings Matter - Make it stand out The Arch of Constantine is a triumphal arch in Rome dedicated to the emperor Constantine the Great. The arch was commissioned by the Roman Senate to commemorate Constantine's victory over Maxentius at the Battle of Milvian Bridge in AD 312 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/9979b0d1-9da4-4e70-96db-462a47630e42/mathew-schwartz-mtlaeSxFA1I-unsplash.jpg Journal - Why Heritage Buildings Matter - Make it stand out Colosseum, rome, 72ad Juhani Pallasmaa (J.P.): Ruins have a strong mental and emotive presence and impact. They activate both our memories and imaginations. Ruins materialize history and time, and they also often turn arrogant or authoritarian architectural structures into humble and humane ones. Ruins seem to have a healing mental impact, as they invite us to reflect, dream and imagine. https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/0c0ada0a-174a-4ee8-b649-eb79b4cf0c1a/fabio-fistarol-t6BTXRe5BRc-unsplash.jpg Journal - Why Heritage Buildings Matter - Make it stand out The Roman Forum, also known by its Latin name Forum Romanum, is a rectangular forum surrounded by the ruins of several important ancient government buildings at the center of the city of Rome. https://www.studioelachi.com.au/blog/2022/5/4/the-objectivity-of-beauty monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/b0b5f9c4-73db-410e-939f-a1ce5bbf7dcc/1440px-Santa_teresa_di_bernini_04.JPG Journal - The Objectivity of Beauty https://www.studioelachi.com.au/blog/2021/10/21/a-healthy-house monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1635473144568-H5UUCZVKJFGPDD4OVYG9/copyright2.jpg Journal - A Healthy House https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1636441567998-8GQ0GAVH31GSZC2BBFBE/91627734_2831923206893661_3906096550383714304_n.jpg Journal - A Healthy House https://www.studioelachi.com.au/blog/2021/7/7/9pn2a83w9ya8aaomeb6upbm8lfs2ha monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1625642610609-7FE30SQ83BEI1IFHHV7Y/interactionofcolor1.jpg Journal - Interaction Of Colour - Make it stand out Josef Albers, Interaction of Colour, 1963 Chapter VIII-2 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1625642591158-8TP2NP47L9UC7BX3FRHY/albersgrill.jpg Journal - Interaction Of Colour - Make it stand out Josef Albers, Interaction of Colour, 1963 Chapter IV-3 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1625642566466-UB5Y5USGMNYUZIWU9FGP/interactionofcolor2.gif Journal - Interaction Of Colour - Make it stand out Josef Albers, Interaction of Colour, 1963 Chapter IV-I https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1625793923687-BJ7QXG75UGIRTPOGDS5U/Josef+Albers%2C+Homage+to+the+Square+1976.jpg Journal - Interaction Of Colour - Make it stand out Josef Albers died on 25 March 1976. He completed his last painting two months earlier. He saw the central square as the cosmos. "The cosmos should have neither sharp boundaries nor corners," Josef said, which required its color to have the same light intensity as the other two. Josef procured enough of the requisite paint to make the middle square large and seemingly close, "Because the cosmos is getting nearer to me." https://www.studioelachi.com.au/blog/2021/3/30/the-garden-of-eden monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617846348906-PEJBZ3QU4R4N6RFEGYV4/peter-zumthor-designrulz-0022.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617089694131-Y3OKN46KNSCPHS85RPLD/d8p.archi.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617090157536-HMVP5FC2G8F9YX5GBRHT/casabarragan.org01.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617858552122-80D5LQU3CQE5FN2WH1B7/1280px-The_Garden_of_Earthly_Delights_by_Bosch_High_Resolution.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617846321001-BE97UF5W81ZR0VLKZG56/peter-zumthor-designrulz-002.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1618532730876-2BQY4GUTHKGM3XKH398W/1.-A-MAIN-image-Copy-of-_MG_7808SerpentineZumthormed-res-1780x1001+John+Offenbach.jpg Journal - The Garden Of Eden Serpentine Gallery Pavilion 2011 Designed by Peter Zumthor, Serpentine Gallery, London (1 July - 16 October 2011) © Peter Zumthor, Photograph © 2011 John Offenbach https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617846361814-JED6CDXKV5J7DKRV04WL/peter-zumthor-designrulz-0033.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617846334568-TEUDCH5VBL5J3YJV13G3/peter-zumthor-designrulz-0021.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617846374457-T2CMDY43YBHSIHSEHL47/peter-zumthor-designrulz-0044.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617857872540-4TPHHIRO526QW7O13ORZ/michelangelo-creation-of-adam-590x474.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617857873152-SR0CZO2RRB6441K5TBPJ/Michelangelo-creation-of-adam-detail-2.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617857872697-3PQP1INU0NTLJ3H4R8N1/Michelangelo-creation-of-adam-detail-1.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617857873412-HKV2DMBRKZSE30MO9944/Michelangelo-creation-of-adam-detail-3.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617088684584-1EFE70LYK99IYQZYIIZZ/casabarragan.org.jpg Journal - The Garden Of Eden https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1617088493378-9SPM185AYYQQU5GRVX5M/barragan+garden01.jpg Journal - The Garden Of Eden https://www.studioelachi.com.au/blog/2021/1/15/in-praise-of-shadows monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1610705287567-CWPWGN7JUKO19VJKRA2B/Church-of-the-light-tadao-ando-3.jpg Journal - In Praise Of Shadows https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1610705515869-1B8VSO7DR5C5YOVK9IRP/Church-of-the-light-tadao-ando-portrait-2.jpg Journal - In Praise Of Shadows Church of light, Tadao Ando In Ando’s work, he draws from Japanese tradition in a very modern way; mastering the concept of providing the element of light and its consequential shadow. https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1611029112095-ECN0PRJDGIM7XOA988KP/Carravaggio_Calling+of+St+Matthew.net.jpg Journal - In Praise Of Shadows The Calling of St Matthew, 1599-1600 Oil on canvas https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1611029692466-BLLIAK2NQK8FO2RAS8WT/The+Conversion+of+St+Paul.jpg Journal - In Praise Of Shadows The Conversion on the Way to Damascus, 1601. 1600-01 Oil on canvas, 230 x 175 cm Cerasi Chapel, Santa Maria del Popolo, Rome The style of painting developed by Caravaggio and other 17th-century Spanish and Italian artists… ”…Tenebrism, from Italian tenebroso ("dark, gloomy, mysterious"), also occasionally called dramatic illumination, is a style of painting using especially pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the image. The technique was developed to add drama to an image through a spotlight effect, and is common in Baroque paintings. Tenebrism is used only to obtain a dramatic impact while chiaroscuro is a broader term, also covering the use of less extreme contrasts of light to enhance the illusion of three-dimensionality. “ [2] https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1610705357247-I3HI23G2L8KWAG6VBDMO/Church-of-the-light-Tadao-Ando-8.jpg Journal - In Praise Of Shadows https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1610705318356-M010CAVTHEI1ESXVSSIE/image-asset.jpeg Journal - In Praise Of Shadows https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1610705491528-VPGSF5AJ6XZ8VET31EAD/Church-of-the-light-Tadao-Ando-9.jpg Journal - In Praise Of Shadows https://www.studioelachi.com.au/blog/2020/11/18/emc2 monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1605668783838-H740SPAYMQ9TLECYCYY1/Anthony+Browell_Glenn+Murcutt_Magney+House.JPG Journal - E=mc2 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1605668784149-LRUJ0FIHOFEJ9YUY0AS6/Anthony+Browell_Glenn+Murcutt_Magney+House02.JPG Journal - E=mc2 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1605668785032-5BI2YDT1S62V7FZNTI7H/Anthony+Browell_Glenn+Murcutt_Magney+House03.JPG Journal - E=mc2 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1605668804377-2J2JWL0WEHKGI0SNBTJE/Glenn+Murcutt_Magney+House_Sketch.JPG Journal - E=mc2 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1606362395267-K175BUE5DH6VVJM4FZJU/thermal+mass-1.jpg Journal - E=mc2 https://www.studioelachi.com.au/blog/2020/10/6/less-but-better monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1602050484146-82P9WH7IQHLIGMY1EL3K/410+%281%29.jpg Journal - Less But Better https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1602050484484-QMBU4SMBKZCZVJKFGRNY/410+%282%29.jpg Journal - Less But Better https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1602050484716-IDJ4K73NGK5CY1D7T4YL/410+%283%29.jpg Journal - Less But Better https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1602050485037-QW8UW6UCHNUCV35OJ4PV/410+%284%29.jpg Journal - Less But Better https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1602050485296-ULX99DCQXFX7GE6OZTOS/410+%285%29.jpg Journal - Less But Better https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1602050485608-7O20Q7S5Y6EPFXQI92OM/410+%286%29.jpg Journal - Less But Better https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1602050485909-NAX74AKM1IL1BTFRKAZ5/410+%287%29.jpg Journal - Less But Better https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1602050486213-R09EXGDZEUMUFZTKU049/410+%288%29.jpg Journal - Less But Better https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1602050486524-RTP2QDLLVQNSOUL263S3/410.jpg Journal - Less But Better https://www.studioelachi.com.au/blog/2020/8/12/the-poetics-of-space monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1597286457043-6W3W93QJWVASQ9GGCWKQ/CLB_portrait2-696x928casabarragan1.jpg Journal - The Poetics Of Space https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1597286457043-DTQPD6TYIQ0O75BW96OW/CLB_portrait2-696x928casabarragan2.jpg Journal - The Poetics Of Space https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1597286458428-O1FLXMUYCSICQ4JRM6HB/CLB_portrait2-696x928casabarragan3.jpg Journal - The Poetics Of Space https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1597286459875-G7J03UYE2ZDGLJXIB3Z1/CLB_portrait2-696x928casabarragan4.jpg Journal - The Poetics Of Space https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1597286459862-AEOX5PFETHCX7N06GR1D/CLB_portrait2-696x928casabarragan5.jpg Journal - The Poetics Of Space https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1597286461217-9CNDOWE8S4CM037SCQJ9/CLB_portrait2-696x928casabarragan7.jpg Journal - The Poetics Of Space https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1597286461489-RH5OG4D8AWK5KLCIEWZN/CLB_portrait2-696x928casabarragan8.jpg Journal - The Poetics Of Space https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1597286462475-O0QLHQU855DKTCHKQSYS/CLB_portrait2-696x928casabarragan9.jpg Journal - The Poetics Of Space https://www.studioelachi.com.au/blog/2020/5/25/touch-the-earth-lightly monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1591834545950-S8SYZJ2JL5WGFL2LC0D9/Simpson+house+1.jpg Journal - Touch The Earth Lightly https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1591834545951-5AURTC007T0FDGKXE0RN/simpson+house+2.jpg Journal - Touch The Earth Lightly https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1591834551816-SVRHLQRZ7SS27L6SQ0MG/simpson+house+3.jpg Journal - Touch The Earth Lightly https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1591834551565-W9UDFLI56FK02CWW4FR7/simpson+house+4.jpg Journal - Touch The Earth Lightly https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1591834555916-BUSA7J4X781TYXPK0GGI/simpson+house+5.jpg Journal - Touch The Earth Lightly https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1591834645083-D590YUI4AOR9XO8BNR7H/simpson%2Bhouse%2B6.jpg Journal - Touch The Earth Lightly https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1591834595041-V1CPE52DQ7Y98LPMFSTO/simpson+house+7.jpg Journal - Touch The Earth Lightly https://www.studioelachi.com.au/blog/2020/3/13/baptising-the-imagination monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1587779964498-2JMFDJ2S73AQPADC6C12/jace-afsoon-eu6UE9Y1JEI-unsplash.jpg Journal - Baptising The Imagination https://www.studioelachi.com.au/blog/2019/7/30/materiality-the-continuum-of-time monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1564559346620-0EUJTPK3LZPYSBJ4M5SH/AdobeStock_224066210.jpeg Journal - Materiality + The Continuum of Time https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1564558741014-KDEFKMQJWT8B09R6WRET/AdobeStock_185279170.jpeg Journal - Materiality + The Continuum of Time https://www.studioelachi.com.au/blog/2019/5/20/the-thinking-hand monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1558411056643-ELUV6BX2WZU1SHH02DFW/20190521_134333.jpg Journal - The Thinking Hand https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1558411034310-A8ZMQ3EJAG6MDRDVE4WW/20190521_134359.jpg Journal - The Thinking Hand https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1558590813965-UQ1EH9HNRNSMCSLYMOKR/20190523_094343.jpg Journal - The Thinking Hand Benvenuto Cellini once said, “Michelangelo was the greatest architect who ever was, only because he was the greatest sculptor and greatest painter.” We can see in the image to the left, that the years of stored embodied wisdom from his drawing, painting and sculpting, had a profound effect on his approach to Architecture. Michelangelo, study of bases, pen and ink with black and red chalk, 28.2 x 25.8cm., British Museum, London, inv. 1859-9-15-508v (W 36v, Corpus 528v) https://www.studioelachi.com.au/blog/2019/2/8/10o4u87ffpxkg9a5x7sosvf3phixot monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1549877075216-3RBGTCO7KE8MXDEJSKRK/aurelio-amendola-michelangelo-pieta-02-665x460.jpg Journal - Beauty, A Consolation For The Broken https://www.studioelachi.com.au/blog/2018/6/25/through-the-door monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1557025408053-MGI6ZO871US682FVSPMQ/Incredulity%252B%252Bof%252BSt%252BThomas.jpg Journal - Through The Door - The Incredulity of Saint Thomas, Caravaggio. https://www.studioelachi.com.au/blog/2018/4/4/beauty-will-save-the-world monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1522838900821-CBDHMOPQYNZIAL5M3D7O/IMG_3464.JPG Journal - Beauty Will Save The World https://www.studioelachi.com.au/contact daily 0.75 2024-08-30 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1606533619041-XWFSX2V5QAMBEEBNP00V/Amal%252BDrawing_01.jpg Contact us. - And l et’s forge something celestial into being… +61 414 426 063 studio@studioelachi.com.au PO Box 1067 Burwood North NSW 2134 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/1553142440713-VDNBO41EMPPE93RVCLZH/AdobeStock_175397762.jpeg Contact us. https://www.studioelachi.com.au/home daily 1.0 2025-08-11 https://images.squarespace-cdn.com/content/v1/5ab2e8578ab722e2ff3aecf1/3adfdcec-f343-47de-a80e-fe12d74e9512/IMG-20140624-WA0148.jpg Hello. About. Our practice has been conceived out of a deep desire to craft a culture of ephemeral beauty within the built environment. We seek to do this by creating spaces and places that are both enduring and tranquil, accessible and timeless, ethical and sustainable, unpretentious; and with an emphasis on executing using quality craftsmanship. The means by which we aspire to achieve this is to take our clients on a journey. The beauty of the world is enthralling — there is so much to learn — and we are always revered by what those who have gone before us have cultivated. We are fascinated by the complexities of the natural environment; and that which it may impart. Antoni Gaudi — the Master Architect — who designed the beguiling La Sagrada Familia; once said, 'Man does not create, he discovers.' So come with us, as we reveal the tiniest peek into what we have discovered; and what we may have yet to discover. We want to show you a glimpse into our world, and the beauty we may be able to impart. 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